Nobody has done this yet with that audio clip from BroNYcon 2012, so I hoped to be the first to animate it.
Thanks to Ashleigh Ball for her amazing talent, and to for the vector I based this off of.
My Little Pony: Friendship is Magic © Hasbro
WARNING! Carry on reading! Or you will die, even if you only looked at the word warning!
Once there was a little girl called Clarissa, she was ten-years-old and she lived in a mental hospital, because she killed her mom and her dad. She got so bad she went to kill all the staff in the hospital so the More-government decided that best idea was to get rid of her so they set up aSPECIALROOM to kill her, as humane as possible but it went wrong the machine they were using went wrong. And she sat there in agony for hours until she died.
Now every week on the day of her death she returns to the person that reads this letter, on a monday night at 12:00a.m. She creeps into your room and kills you slowly, by cutting you and watching you bleed to death.
Now send this to ten other pictures on this one site, and she will haunt someone else who doesn't. This isn't fake. apparently, if u copy and paste this to ten comments in the next ten minutes u will have the best day of ur life tomorrow. u will either get kissed or asked out, if u break this chain u will see a little dead girl in your room tonight. in 53 mins someone will say i love you or imSORRY
(i have to do this cause im bored and got it from someone else its annoying to encounter these kind's of comments in my time -.-)
She said this during a Brony convention panel.
I used that clip of her voice for this.
That is all...
Nice animation. The lip syncing was bang on.
Voicing her is one of the only things in the world for which I actually recommend cigarettes.
(I'm stuck in the 1920s in that I view cigarettes as feminist and wholeheartedly support the enactment of smoking sections...even though my grandfather died of lung cancer from it. I'm a walking contradiction.)
Well drawn, with some good mouth shapes...
A few hours of spare time well spent.
People copy him, like Milt Kahl, because his stuff is actually good. ^^
What I'm curious about is why people don't take advantage of line overlay these days? Now that you can color in lines, you can hide little spice colors around the main color forms...
Very few pieces take advantage of this. Some things, like Friendship is Magic, are doing it for a soft Lady and the Tramp appearance.
Occasionally, in that show you'll see a color design that demonstrates texture through color spice (The Sweet Apple barn's internal wood grain; or the contrast between Gilda's facial feathers and beak demonstrated by the light play implied by the color change.) That's really what I'm going for...the ability to imply texture.
And Eyvind Earle did some intriguing paintings after he left Disney that I always wonder...what would that, combined with Peregoy look like? 0.e
(Mike Giamo's shapes turn me off the color sometimes...and what turns me off of him is the fact that his colors are superliminal. You notice 'the background is blue with little pink flecks' or whatever when you watch it.